"Cafe 1930 (from Histoire du Tango)" by Gidon Kremer was released on 1996. Since Cafe 1930 (from Histoire du Tango) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gidon Kremer's "Hommage A Piazzolla & Peterburschsky" album is number 5 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Cafe 1930 (from Histoire du Tango) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cafe 1930 (from Histoire du Tango) by Gidon Kremer to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach Siciliano | Nimrod David Pfeffer | G Minor | 0 | 6A | 94 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: III. Sarabande | Robert de Visée, Jean Rondeau | D♭ Minor | 1 | 12A | 0 BPM | ||
Music for a while | Henry Purcell, Adrien La Marca, Thomas Hoppe | G Major | 0 | 9B | 104 BPM | ||
Chopin: 24 Preludes, Op. 28: No. 4 in E Minor | Frédéric Chopin, Nikolai Lugansky | A Minor | 0 | 8A | 72 BPM | ||
Capricho árabe | Francisco Tárrega, Pablo Sainz Villegas | D Major | 2 | 10B | 111 BPM | ||
Martynov: "Come in!", Movement I | Vladimir Martynov, Gidon Kremer | A Major | 0 | 11B | 93 BPM | ||
Martynov: "Come in!", Movement IV | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 115 BPM | ||
Piazzolla: María de Buenos Aires, Part 1, Scene 6: Poema valseado (María) | Gidon Kremer, Alois Posch, Julia Zenko, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov | E Minor | 1 | 9A | 70 BPM | ||
Piazzolla: María de Buenos Aires, Part 1, Scene 5: Fuga y misterio | Gidon Kremer, Alois Posch, Maria Fedotova, Marta Sudraba, Per Arne Glorvigen, Peter Sadlo, Ula Zebriunaite, Vadim Sakharov | E Minor | 2 | 9A | 139 BPM | ||
From Jewish Life: I. Prayer (arr. for cello and orchestra) | Anonymous, Ernest Bloch, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | F Minor | 1 | 4A | 90 BPM |