"El amor brujo: El círculo mágico. Romance del pescador - A media noche. Los sortilegios (Ballet version)" by Manuel de Falla, Mahler Chamber Orchestra, Pablo Heras-Casado was released on September 20, 2019. The duration of El amor brujo: El círculo mágico. Romance del pescador - A media noche. Los sortilegios (Ballet version) is about 3 minutes long, at 3:00. Based on our data, "El amor brujo: El círculo mágico. Romance del pescador - A media noche. Los sortilegios (Ballet version)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 17 in Falla: El sombrero de tres picos by Manuel de Falla, Pablo Heras-Casado, Mahler Chamber Orchestra. El amor brujo: El círculo mágico. Romance del pescador - A media noche. Los sortilegios (Ballet version) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of El amor brujo: El círculo mágico. Romance del pescador - A media noche. Los sortilegios (Ballet version) by Manuel de Falla, Mahler Chamber Orchestra, Pablo Heras-Casado is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods (Arr. Niefind & Ribke For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 85 BPM | ||
Satie: 3 Gymnopédies: I. Lent et douloureux in D Major and D Minor (Orch. Debussy) | Erik Satie, Orchestre Du Capitole De Toulouse, Michel Plasson | A Minor | 0 | 8A | 68 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Beau soir, L. 6 (Arranged for Violin and Piano by Jascha Heifetz) | Claude Debussy, Joshua Bell | F♯ Minor | 0 | 11A | 86 BPM |