"Humoresque in G-Flat Major, Op. 101, B. 187" by Antonín Dvořák, Prague Symphony Orchestra, Václav Smetáček was released on 1966. The duration of Humoresque in G-Flat Major, Op. 101, B. 187 is about 3 minutes long, at 3:28. Based on our data, "Humoresque in G-Flat Major, Op. 101, B. 187" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 16 in Czech Serenade - Selection by Jan Panenka, Václav Hudeček, Petr Adamec, Karel Ančerl, Václav Smetáček, Jiří Bělohlávek, Czech Philharmonic Orchestra, Prague Chamber Orchestra, Prague Symphony Orchestra, Panocha Quartet, Prague Philharmonia. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. The popularity of Humoresque in G-Flat Major, Op. 101, B. 187 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Humoresque in G-Flat Major, Op. 101, B. 187 by Antonín Dvořák, Prague Symphony Orchestra, Václav Smetáček is Vivace (lively and fast), since this song has a tempo of 168 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Shéhérazade, Op. 35: I. La mer et le bateau de Simbad | Nikolai Rimsky-Korsakov, Anima Eterna, Jos Van Immerseel, Midori Seiler | E Major | 0 | 12B | 56 BPM | ||
Polonaise in B Flat Major, D.580 | Franz Schubert, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 2 | 12B | 78 BPM | ||
Third Movement Moderate Pesante | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | G Minor | 1 | 6A | 79 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto - Live | Johannes Brahms, Anne-Sophie Mutter, New York Philharmonic, Kurt Masur | D Major | 0 | 10B | 105 BPM | ||
Mendelssohn: Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": IV. Saltarello. Presto | Felix Mendelssohn, Franz Welser-Möst, London Philharmonic Orchestra | A Minor | 3 | 8A | 168 BPM | ||
The Bartered Bride: ACT III, Skočná | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | C Major | 2 | 8B | 75 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 2 | 12B | 95 BPM | ||
Le Villi: La Tregenda | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | C Minor | 3 | 5A | 123 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM |