"Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 5. The Sailor's Song" by Kurt Weill, Meriel Dickinson, London Sinfonietta, David Atherton was released on January 1, 1976. Since Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 5. The Sailor's Song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #5 out of 42 tracks. In terms of popularity, Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 5. The Sailor's Song is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
Since Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 5. The Sailor's Song by Kurt Weill, Meriel Dickinson, London Sinfonietta, David Atherton has a tempo of 116 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 5. The Sailor's Song being at 116 テンポ, the half-time would be 58 テンポ with a double-time of 232 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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14 Songs, Op. 34, No. 14. Vocalise: 14 Songs, Op. 34: No. 14, Vocalise (Arr. For theremin and piano) | Sergei Rachmaninoff, Clara Rockmore, Nadia Reisenberg | D♭ Minor | 1 | 12A | 95 BPM | ||
Treemonisha / Act one: No. 4 We're goin' around (A Ring Play) | Scott Joplin, Kenneth Hicks, Houston Grand Opera Chorus, Houston Grand Opera Orchestra, Gunther Schuller | G Major | 5 | 9B | 111 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | E♭ Major | 0 | 5B | 81 BPM | ||
Youkali | Kurt Weill, Ludwig Orchestra, Barbara Hannigan | D Minor | 2 | 7A | 115 BPM | ||
Die sieben Todsünden: I. Faulheit (im Begehen des Unrechts) - Allegro vivace | Kurt Weill, Gisela May, Peter Schreier, Hans-Joachim Rotzsch, Hermann Christian Polster, Günther Leib, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel | F Minor | 3 | 4A | 84 BPM | ||
The Bells of Dawn (Zoryu b’yut) | Georgy Sviridov, Dmitri Hvorostovsky, Masters of Choral Singing, Lev Kontorovich | F♯ Minor | 1 | 11A | 61 BPM | ||
Die Dreigroschenoper: Salomon-Song | Kurt Weill, Rolf Boysen, Milva, Rias-Sinfonietta Berlin, John Mauceri | G Major | 0 | 9B | 84 BPM | ||
Winterreise, D911: Gute Nacht | Franz Schubert, Jonas Kaufmann | D Minor | 0 | 7A | 101 BPM | ||
Fauré: Cantique de Jean Racine, Op. 11 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D♭ Major | 1 | 3B | 79 BPM | ||
So You Want to Write a Fugue? - For 4 Voices and String Quaret - Remastered | Glenn Gould, Juilliard String Quartet, Vladimir Golschmann | C Minor | 2 | 5A | 167 BPM |