"Symphonie "Mathis der Maler": 1. Engelkonzert" by Paul Hindemith, Boston Symphony Orchestra, William Steinberg was released on January 1, 2007. Since Symphonie "Mathis der Maler": 1. Engelkonzert is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Paul Hindemith, Daniel Benyamini, Paris Conservatoire Orchestra, Boston Symphony Orchestra, William Steinberg, Daniel Barenboim's "Hindemith: Symphony "Mathis Der Maler"" album is number 1 out of 9. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Symphonie "Mathis der Maler": 1. Engelkonzert is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonie "Mathis der Maler": 1. Engelkonzert by Paul Hindemith, Boston Symphony Orchestra, William Steinberg to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Pittsburgh Symphony Orchestra, William Steinberg | C Major | 3 | 8B | 96 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Finale. Allegro brillante [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | D Major | 1 | 10B | 68 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
Gayane Suite No. 3: V. Solo - Love Duet | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 3 | 10B | 175 BPM | ||
Pelléas et Mélisande, Op.80: Chanson de Mélisande | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM | ||
Ancient Airs And Dances, Suite No.1, [P. 109]: 1. Balletto detto "Il Conte Orlando" | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 120 BPM | ||
Stabat Mater, FP 148: 12. Quando corpus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A♭ Minor | 1 | 1A | 94 BPM | ||
Variations on a theme of Frank Bridge, Op.10: 1. Introduction & Theme | Benjamin Britten, English Chamber Orchestra | F Major | 0 | 7B | 84 BPM | ||
String Quartet in G Minor, Op. 10, L. 85: 1. Animé et très décidé | Claude Debussy, Melos Quartet | B♭ Major | 1 | 6B | 131 BPM |