John Barry Orchestra, John Barry's 'Wednesday's Child (From "The Quiller Memorandum")' came out on February 22, 1976. The duration of Wednesday's Child (From "The Quiller Memorandum") is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Wednesday's Child (From "The Quiller Memorandum")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Music Of John Barry". In this album, this song's track order is #6. Wednesday's Child (From "The Quiller Memorandum") is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Wednesday's Child (From "The Quiller Memorandum") by John Barry Orchestra, John Barry having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le 20 octobre 1942 - Bande originale du film "L'armée des ombres" | Eric Demarsan | C Major | 3 | 8B | 78 BPM | ||
Sammy and Rosie Get Laid | Stanley Myers | B♭ Major | 3 | 6B | 181 BPM | ||
Sally's Death - Excerpt from Blow Out | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
Kingston Calypso (Reprise) | John Barry Orchestra | F Minor | 5 | 4A | 97 BPM | ||
A Quiet Stroll | Charles Williams and his Concert Orchestra | G Major | 2 | 9B | 96 BPM | ||
The Call Of the Faraway Hills | Victor Young (conductor), MGM Studio Orchestra | D Major | 3 | 10B | 89 BPM | ||
Theme From Serpico | Mikis Theodorakis | A Major | 5 | 11B | 89 BPM | ||
The Museum - Excerpt from Dressed to Kill | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
On Days Like These - From "The Italian Job" Soundtrack | Quincy Jones, Peter King | A Minor | 3 | 8A | 106 BPM | ||
C'Eravamo Tanto Amati: Strano Interludio | Armando Trovajoli | B Minor | 1 | 10A | 176 BPM |