"Murder on the Orient Express: Theme and Waltz (Murder on the Orient Express)" by Richard Rodney Bennett, Philip Fowke, RTE Concert Orchestra, Proinnsias O'Duinn was released on March 2, 1998. Murder on the Orient Express: Theme and Waltz (Murder on the Orient Express) is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. This song is part of Warsaw Concerto and Other Piano Concertos From the Movies by Proinnsias O'Duinn. The song's track number on the album is #5 out of 9 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Murder on the Orient Express: Theme and Waltz (Murder on the Orient Express)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Murder on the Orient Express: Theme and Waltz (Murder on the Orient Express) by Richard Rodney Bennett, Philip Fowke, RTE Concert Orchestra, Proinnsias O'Duinn has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Murder on the Orient Express: Theme and Waltz (Murder on the Orient Express) being at 131 テンポ, the half-time would be 66 テンポ with a double-time of 262 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
Militant Beauty | Danke Timi Briggs | B♭ Major | 2 | 6B | 152 BPM | ||
Puppets Suite Op. 77: Punch | Billy Mayerl, Richard Rodney Bennett | C Major | 3 | 8B | 115 BPM | ||
Bellmansmelodier for Orkester: IV. Fjaril vingad syns pa Haga | August Söderman, Symphony Orchestra Of Norrlands Opera, Roy Goodman | A♭ Major | 0 | 4B | 0 BPM | ||
Romance for String Orchestra, Op.11 | Gerald Finzi, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 80 BPM | ||
When the Whales Came | Christopher Gunning, Rumon Gamba, BBC Philharmonic, Nicole Tibbels | D Minor | 1 | 7A | 81 BPM | ||
Micol racconta | Andrea Guerra | G Major | 0 | 9B | 71 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Smile - (Final theme from the motion picture 'Modern Times') | Charlie Chaplin, Amy Dickson | A Major | 0 | 11B | 74 BPM | ||
Country Dances, Book I: V. Nobody's Jig | Richard Rodney Bennett, John Wilson, BBC Scottish Symphony Orchestra | E Minor | 2 | 9A | 135 BPM |