Jules Massenet, Tatiana Troyanos/Alfredo Kraus/London Philharmonic Orchestra/Michel Plasson, Michel Plasson, London Philharmonic Orchestra's 'Massenet: Werther, Act 3 Scene 3: "Ciel! Ai-je compris" (Werther, Charlotte)' had a release date set for December 31, 1997. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Massenet: Werther, Act 3 Scene 3: "Ciel! Ai-je compris" (Werther, Charlotte)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jules Massenet, Michel Plasson's "Massenet: Werther" album is number 10 out of 38. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Massenet: Werther, Act 3 Scene 3: "Ciel! Ai-je compris" (Werther, Charlotte)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Massenet: Werther, Act 3 Scene 3: "Ciel! Ai-je compris" (Werther, Charlotte) by Jules Massenet, Tatiana Troyanos/Alfredo Kraus/London Philharmonic Orchestra/Michel Plasson, Michel Plasson, London Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Harmonies des bois, Op. 76: No. 2 Les Larmes de Jacqueline | Jacques Offenbach, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | C Major | 0 | 8B | 65 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
Thaïs: Méditation (Arr. N. Dautricourt for Strings) | Jules Massenet, Cécile Agator, Capriccio Quartet | E Minor | 1 | 9A | 121 BPM | ||
Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 149 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM |