"Mathis Der Maler, 1st Tableau, Scene 2: Woher kommt ihr denn?" by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra was released on April 1, 1995. With Mathis Der Maler, 1st Tableau, Scene 2: Woher kommt ihr denn? being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 5 out of 61. In terms of popularity, Mathis Der Maler, 1st Tableau, Scene 2: Woher kommt ihr denn? is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mathis Der Maler, 1st Tableau, Scene 2: Woher kommt ihr denn? by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violin and Piano in A: 1. Allegretto ben moderato | César Franck, Kaja Danczowska, Krystian Zimerman | F♯ Minor | 1 | 11A | 145 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
6 Sonatas for Violin Solo, Op. 27: Sonata No. 6 in E Major | Eugène Ysaÿe, Hilary Hahn | A Major | 2 | 11B | 103 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: 1. Largo | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
Piano Trio, Op. 11: 3. Lied. Allegretto | Fanny Mendelssohn, Seraphim Trio | D Major | 1 | 10B | 106 BPM | ||
Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | G Minor | 3 | 6A | 139 BPM | ||
Violin Concerto "To the Memory of an Angel": I. Andante – Allegretto | Alban Berg, Berliner Philharmoniker, Frank Peter Zimmermann, Kirill Petrenko | G Major | 1 | 9B | 70 BPM | ||
Der Schwanendreher · Konzert nach alten Volksliedern für Viola und kleines Orchester: II. Nun Laube, Lindlein, Laube - Fugato: Der Gutzgauch auf dem Zaune saß | Paul Hindemith, Tabea Zimmermann, David Shallon, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | A Major | 0 | 11B | 112 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 70 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo - Adagio | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | D♭ Major | 0 | 3B | 69 BPM |