"Immortal Bach (after J.S. Bach's Komm, susser Tod, BWV 478) (arr. G. Pedersen for choir and strings)" by Knut Nystedt, Grete Pedersen, The Norwegian Soloists' Choir, Ensemble Allegria was released on May 6, 2016. With this song being about 5 minutes long, at 5:13, "Immortal Bach (after J.S. Bach's Komm, susser Tod, BWV 478) (arr. G. Pedersen for choir and strings)" by Knut Nystedt, Grete Pedersen, The Norwegian Soloists' Choir, Ensemble Allegria is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Nystedt & J.S. Bach: Meins Lebens Licht". In this album, this song's track order is #17. Immortal Bach (after J.S. Bach's Komm, susser Tod, BWV 478) (arr. G. Pedersen for choir and strings) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Immortal Bach (after J.S. Bach's Komm, susser Tod, BWV 478) (arr. G. Pedersen for choir and strings) by Knut Nystedt, Grete Pedersen, The Norwegian Soloists' Choir, Ensemble Allegria having a テンポ of 69 with a half-time of 34 テンポ and a double-time of 138 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Partita Hos Gud er idel glede, Op. 44: III. Var 2 | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
Dixit Maria | Hans Leo Hassler, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 106 BPM | ||
They that go down to the sea in ships | Herbert Sumsion, Michael Bloss, Choir of St John's, Elora, Noel Edison | F♯ Minor | 0 | 11A | 62 BPM | ||
And I Saw a New Heaven | Edgar Leslie Bainton, The Choir of The Queen's College Oxford, Rebecca Baker, Owen Rees | G Major | 1 | 9B | 75 BPM | ||
Romanzen und Balladen, Book 3, Op. 145: No. 2. Die Nonne | Robert Schumann, Aquarius, Marc Michael de Smet | A Major | 1 | 11B | 63 BPM | ||
Communion Service in C Major: Kyrie | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 0 | 7B | 74 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Scenes from the Saga of King Olaf, Op. 30: As Torrents in Summer | Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson | G Major | 1 | 9B | 75 BPM | ||
Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Kyrie | César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp | A Major | 0 | 11B | 65 BPM |