Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset's 'Ballet des muses, LWV 32: Trop indiscret Amour' came out on April 19, 2024. Ballet des muses, LWV 32: Trop indiscret Amour is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. The song is number 15 out of 17 in Doux silence by Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset, Lucile Richardot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Ballet des muses, LWV 32: Trop indiscret Amour is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ballet des muses, LWV 32: Trop indiscret Amour by Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gavotta con divisioni. Gavotta with variations | Nicola Matteis, Theatrum Affectuum | E Major | 3 | 12B | 108 BPM | ||
Stabat Mater in F Minor, RV 621: No. 7., Eia Mater, fons amoris | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Ballet Des Arts / La Peinture: Dialogue d'Apelle et de Zeuxis (Ritournelle, Dialogue 1, Ritournelle, Dialogue 2) | Jean-Baptiste Lully, Romain Champion, Arnaud Richard, La Simphonie Du Marais, Hugo Reyne | G Major | 3 | 9B | 96 BPM | ||
Cancionero musical de palacio: No. 221, Muchos van de amor heridos | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | A Minor | 1 | 8A | 77 BPM | ||
Hélas, Madame | Henry VIII, Katelijne Van Laethem, Jan Caals, Flanders Recorder Quartet, Capilla Flamenca, Bart Spanhove, Paul Van Loey, Joris Van Goethem, Fumiharu Yoshimine, Philippe Malfeyt | F♯ Major | 1 | 2B | 70 BPM | ||
[Suite en la majeur]: XI. Grand Rondeau (No. 28) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 2 | 4B | 90 BPM | ||
Atys, LWV 53, Act I: Un amour malheureux (Sangaride, Doris) | Jean-Baptiste Lully, Marie Lys, Gwendoline Blondeel, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 119 BPM | ||
Nisi Dominus, RV 608: II. Vanum est vobis | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Le Camus: Laissez durer la nuit | Sébastien Le Camus, Lea Desandre, Thomas Dunford | D♭ Major | 0 | 3B | 80 BPM | ||
Pavin | Innocentio Alberti, Fretwork | F Major | 2 | 7B | 68 BPM |