Michael Kaufman, Emily Woo Zeller, J. D. Jackson made "Chapter 19 - The Last Exit" available on January 12, 2021. The duration of Chapter 19 - The Last Exit is about 3 minutes long, at 3:01. Based on our data, "Chapter 19 - The Last Exit" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 214 in the song's album "The Last Exit (Unabridged)". In this album, this song's track order is #19. In terms of popularity, Chapter 19 - The Last Exit is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Chapter 19 - The Last Exit by Michael Kaufman, Emily Woo Zeller, J. D. Jackson having a テンポ of 110 with a half-time of 55 テンポ and a double-time of 220 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trois Romances sans paroles, Op. 17: 3. Andante moderato | Gabriel Fauré, Kun-Woo Paik | A♭ Major | 0 | 4B | 65 BPM | ||
Concertino for Oboe & 6 Instruments (The Sage, Pierrot) | Frederick Lesemann, USC Thornton Edge, Donald Crockett, Rachel Van Amburgh, Ashley Harris, Eric Jacobs, Kyle Gilner, Michael Kaufman, Thomas Kotcheff, Andrew Senvall | C Major | 1 | 8B | 81 BPM | ||
Petricor | André Varó | F Major | 2 | 7B | 158 BPM | ||
Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Khatia Buniatishvili | F Major | 0 | 7B | 77 BPM | ||
Pride & Prejudice Suite: Dawn | Dario Marianelli, Jean-Yves Thibaudet | C Major | 1 | 8B | 86 BPM | ||
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana | Manuel de Falla, Rohan De Saram, Junko Yamamoto | A Major | 0 | 11B | 64 BPM | ||
Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 149 BPM | ||
Enigma Variations: Nimrod | Edward Elgar, Alexis Ffrench | E♭ Major | 0 | 5B | 123 BPM | ||
I See You (from "Avatar") | James Horner, Olga Scheps | B♭ Minor | 1 | 3A | 59 BPM | ||
Rêverie | Giovanni Renzo | C Major | 0 | 8B | 171 BPM |