"Swan Lake, Op. 20, Act II, No. 13, Danses des cygnes: V. Pas d'action (Odette et le Prince)" by Pyotr Ilyich Tchaikovsky, Neeme Järvi, Bergen Philharmonic Orchestra, James Ehnes, Robert DeMaine, Johannes Wik was released on October 1, 2013. Since Swan Lake, Op. 20, Act II, No. 13, Danses des cygnes: V. Pas d'action (Odette et le Prince) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 55 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #26. Furthermore, we believe that the track originated from United Kingdom. Swan Lake, Op. 20, Act II, No. 13, Danses des cygnes: V. Pas d'action (Odette et le Prince) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op. 20, Act II, No. 13, Danses des cygnes: V. Pas d'action (Odette et le Prince) by Pyotr Ilyich Tchaikovsky, Neeme Järvi, Bergen Philharmonic Orchestra, James Ehnes, Robert DeMaine, Johannes Wik having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berceuse in B-Flat Major, Op. 38 | Camille Saint-Saëns, Fanny Clamagirand, Vanya Cohen | E Major | 1 | 12B | 71 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Scènes bohémiennes la jolie fille de perth: Prélude | Georges Bizet, Orchestre Philharmonique des Pays de Loire, Marc Soustrot | D Major | 0 | 10B | 128 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25c. Pas de quatre: Variation II (Bluebird and Florisse) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | D♭ Major | 0 | 3B | 87 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio | Moscow New Philharmonic Orchestra, Vladimir Ponkin | C Major | 1 | 8B | 78 BPM | ||
In dulci jubilo, BWV 751 Anh.III 172 (von Johann Michael Bach) - Arranged by Wilhelm Kempff | Johann Sebastian Bach, Wilhelm Kempff | G Major | 0 | 9B | 65 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM |