Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch made "Die Zauberflöte - Singspiel in two acts, K. 620, Act II: Ein Mädchen oder Weibchen (Papageno) - 1987 Digital Remaster" available on 1973. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Wolfgang Sawallisch's "Mozart: The Magic Flute" album is number 21 out of 44. On top of that, Germany appears to be the country where this track was created. Die Zauberflöte - Singspiel in two acts, K. 620, Act II: Ein Mädchen oder Weibchen (Papageno) - 1987 Digital Remaster is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Die Zauberflöte - Singspiel in two acts, K. 620, Act II: Ein Mädchen oder Weibchen (Papageno) - 1987 Digital Remaster by Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D minor, K.626: 3. Sequentia: Tuba mirum | Wolfgang Amadeus Mozart, Robert Lloyd, Francisco Araiza, Sylvia McNair, Carolyn Watkinson, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 66 BPM | ||
Götterdämmerung / Prologue: Siegfrieds Rheinfahrt - Excerpt | Richard Wagner, Staatskapelle Dresden, Peter Schneider | B♭ Major | 3 | 6B | 80 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 2: Cavatina - Se Vuol Ballare, Signor Contino | Donato Di Stefano, Maria Pia Ionata, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Hungarian State Opera Orchestra, Jozsef Mukk, Patrizia Pace, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | F Major | 1 | 7B | 134 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
The Magic Flute, K. 620: Act II, No. 18. Coro: "O Isis, und Osiris, welche Wonne!" | Rundfunkorchester des Südwestfunks Baden-Baden | F Major | 0 | 7B | 67 BPM | ||
Lohengrin / Act 3: "Treulich geführt ziehet dahin" | Richard Wagner, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch | B♭ Major | 1 | 6B | 82 BPM | ||
The Magic Flute, K. 620: Act I, No. 7. Duetto: "Bei Männern, welche Liebe fühlen" | Rundfunkorchester des Südwestfunks Baden-Baden | E♭ Major | 0 | 5B | 96 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Zaide, K.344 / Act 1: "Ruhe sanft, mein holdes Leben" | Wolfgang Amadeus Mozart, Renée Fleming, Orchestra of St. Luke's, Sir Charles Mackerras | G Major | 0 | 9B | 85 BPM | ||
Mozart: Don Giovanni, K. 527, Act 2 Scene 13: No. 24, Finale, "Già la mensa è preperata" (Don Giovanni, Leporello) | Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker | G Major | 1 | 9B | 77 BPM |