"Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains)" by Hubert Parry, Crouch End Festival Chorus, London Mozart Players, William Vann was released on September 8, 2023. The duration of Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Parry: Scenes from Shelley's Prometheus Unbound, Blest Pair of Sirens". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scenes from Shelley's Prometheus Unbound, Part I: No. 4, Thrice three hundred thousand years (Voice from the mountains) by Hubert Parry, Crouch End Festival Chorus, London Mozart Players, William Vann having a テンポ of 119 with a half-time of 60 テンポ and a double-time of 238 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miniatures for Violin & Piano: Allegretto (1) | Hubert Parry, Rupert Marshall-Luck, Duncan Honeybourne | D Major | 2 | 10B | 63 BPM | ||
Burial Sentences: II. I Know That My Redeemer Liveth | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | C Minor | 1 | 5A | 144 BPM | ||
Harvest Hymn | Percy Grainger, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 84 BPM | ||
Suite for Violin & Piano in D Major: No. 4, Dialogue. Allegretto patetico | Hubert Parry, Rupert Marshall-Luck, Duncan Honeybourne | D Major | 2 | 10B | 63 BPM | ||
3 Nocturnes: No. 1. Ballade to the Moon | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Major | 0 | 12B | 66 BPM | ||
Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM | ||
Madama Butterfly, Act 2: Humming Chorus | Giacomo Puccini, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra | B♭ Major | 0 | 6B | 139 BPM | ||
Tre Körvisor - September | Wilhelm Stenhammar, Eric Ericson | B Minor | 1 | 10A | 81 BPM | ||
Slovak Suite, Op. 32: I. In the Church. Andante | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | G Major | 1 | 9B | 73 BPM | ||
Country Gardens: English Morris Dance Tune (Stokowski version, 1950) | Percy Grainger, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | E♭ Major | 1 | 5B | 137 BPM |