Leo Brouwer, Roig, Fernando Espí's 'Ojos Brujos (Popular Cubana)' came out on October 10, 2010. The duration of Ojos Brujos (Popular Cubana) is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Ojos Brujos (Popular Cubana)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Nana. Canciones de Cuna para Guitarra (Lullabies for Guitar)". In this album, this song's track order is #3. The popularity of Ojos Brujos (Popular Cubana) is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ojos Brujos (Popular Cubana) by Leo Brouwer, Roig, Fernando Espí having a テンポ of 176 with a half-time of 88 テンポ and a double-time of 352 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danza Brasilera | Jorge Morel, Celil Refik Kaya | A Minor | 1 | 8A | 117 BPM | ||
Variations on a Theme of Sor, Op. 15: Var. VIII | Miguel Llobet Solés, Lorenzo Micheli | E Minor | 1 | 9A | 81 BPM | ||
Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
Suite Buenos Aires: No. 3, San Telmo | Maximo Diego Pujol, Csaba Szabo, Accord Quartet | E Minor | 2 | 9A | 99 BPM | ||
6 Etudes: Leccion No. 29 | Norbert Kraft | E Minor | 0 | 9A | 79 BPM | ||
Evocaciones: IV. Hoy Es Siempre Todavía | Antón García Abril, Elena Ortega | F Major | 0 | 7B | 63 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Nuevos Estudios Sencillos: Omaggio a Villa-Lobos. Tranquillo | Leo Brouwer, Emanuele Buono | B Minor | 1 | 10A | 114 BPM | ||
Scarlatti: Keyboard Sonata in G Major, Kk. 14 (Arr. for Guitar) | Domenico Scarlatti, Leo Brouwer | E Minor | 2 | 9A | 87 BPM | ||
The Yellow Cake Review, Farewell to Stromness (Excerpt) | Peter Maxwell Davies, Los Angeles Guitar Quartet | D Major | 0 | 10B | 127 BPM |