"Come, Pure Hearts, in Sweetest Measure" by Ned Rorem, Concora, Larry Allen, David Westfall, Carol Allen, Richard Coffey was released on November 1, 1998. The duration of Come, Pure Hearts, in Sweetest Measure is about 3 minutes long, at 3:14. Based on our data, "Come, Pure Hearts, in Sweetest Measure" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 29 in the song's album "Sing My Soul". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, Come, Pure Hearts, in Sweetest Measure's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Come, Pure Hearts, in Sweetest Measure by Ned Rorem, Concora, Larry Allen, David Westfall, Carol Allen, Richard Coffey having a テンポ of 130 with a half-time of 65 テンポ and a double-time of 260 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Harp, Op. 83: IV. Fugue. Lively | Benjamin Britten, Magdalena Hoffmann | B♭ Major | 1 | 6B | 96 BPM | ||
4.2 Allemande (Arr. for Saxophone Quartet) | Peter Gregson, Signum Saxophone Quartet | E♭ Major | 0 | 5B | 170 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM | ||
3 Gymnopédies: No. 2, Lent et triste | Erik Satie, Alessandro Simonetto | D Minor | 0 | 7A | 133 BPM | ||
Blizzard | Ricky Almobero, The Cudi | D♭ Minor | 0 | 12A | 79 BPM | ||
The Rose Petal Waltz | Agneta Krilova, Trio NYX | D♭ Major | 1 | 3B | 126 BPM | ||
Sicilienne (Transcribed for Cello & Piano) | Maria Theresia von Paradis, Anastasia Kobekina, Vincent Boccadoro | D Minor | 2 | 7A | 182 BPM | ||
By the Still Waters, Op. 114 | Amy Beach, Joanne Polk | E♭ Minor | 0 | 2A | 65 BPM | ||
Suite de danzas criollas, Op. 15 (2nd version): I. Adagietto pianissimo | Alberto Ginastera, Fernando Viani | C Major | 0 | 8B | 129 BPM | ||
Staccato Sonata | Markolyno | D Minor | 0 | 7A | 64 BPM |