"Tres Estudos em forma de Sonatina: 2. Moderato" by Oscar Lorenzo Fernández, Nelson Freire was released on January 1, 2012. The duration of Tres Estudos em forma de Sonatina: 2. Moderato is about 3 minutes long, at 3:12. Based on our data, "Tres Estudos em forma de Sonatina: 2. Moderato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 22 out of 30 in Brasileiro - Villa-Lobos & Friends by Nelson Freire. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Tres Estudos em forma de Sonatina: 2. Moderato is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Tres Estudos em forma de Sonatina: 2. Moderato by Oscar Lorenzo Fernández, Nelson Freire is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Rachmaninov: Suite No. 1 in G Minor, Op. 5 "Fantaisie-tableaux": IV. Pâques | Sergei Rachmaninoff, Martha Argerich, Alexandre Rabinovitch | G Minor | 5 | 6A | 91 BPM | ||
Trio Brasileiro: IV. Finale: Allegro | Oscar Lorenzo Fernández | F Major | 1 | 7B | 125 BPM | ||
Cello Sonata in G Minor, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Anna Fedorova, Nordwestdeutsche Philharmonie, Laércio Diniz, Benedict Kloeckner | G Major | 1 | 9B | 79 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Lang Lang, Gewandhausorchester, Andris Nelsons | A Minor | 1 | 8A | 126 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice | Valery Gergiev | D♭ Minor | 1 | 12A | 69 BPM | ||
Petite Suite: I. En bateau | Claude Debussy, Jean-Pierre Armengaud, Olivier Chauzu | A Major | 1 | 11B | 130 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
La gallina (The Hen), Op. 53 | Louis Moreau Gottschalk, Cecile Licad | E♭ Major | 0 | 5B | 115 BPM |