Manuel Ponce, Davide Ficco's 'Twenty-Four Preludes - Viii Tranquillo' came out on May 16, 2011. With Twenty-Four Preludes - Viii Tranquillo being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Manuel Ponce, Davide Ficco's "Manuel Maria Ponce - Chamber and Solo Music for Guitar" album is number 22 out of 41. On top of that, Italy appears to be the country where this track was created. Twenty-Four Preludes - Viii Tranquillo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Twenty-Four Preludes - Viii Tranquillo by Manuel Ponce, Davide Ficco to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berceuse, Op. 2 | Dora Pejačević, Natasa Veljkovic | E Minor | 3 | 9A | 153 BPM | ||
Fantasía para un Gentilhombre: IV. Canario | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | D Major | 3 | 10B | 141 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
Tune from the Film by Lana Gogoberidze: When Almonds Blossomed | Giya Kancheli, Khatia Buniatishvili | D Minor | 0 | 7A | 65 BPM | ||
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | ||
25 Etudes, Op. 38: No. 3 in D Minor: Prelude | Napoléon Coste, Jeffrey McFadden | D Minor | 0 | 7A | 116 BPM | ||
Estrellita (Arr. Abril & Barrueco for Guitar) | Manuel Ponce, Alexandra Whittingham | D Major | 0 | 10B | 113 BPM | ||
Introduction & Variations on Favorite Airs from Bellini's "Norma", Op. 36: Var. 2, Andante con espressione | Elias Parish Alvars, Paola Perrucci | E♭ Major | 0 | 5B | 79 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |