Sergei Prokofiev, Neeme Järvi, Royal Scottish National Orchestra made "Lieutenant Kijé, Symphonic Suite, Op. 60: III. The Wedding of Kijé" available on August 1, 1990. The duration of Lieutenant Kijé, Symphonic Suite, Op. 60: III. The Wedding of Kijé is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Lieutenant Kijé, Symphonic Suite, Op. 60: III. The Wedding of Kijé's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Prokofiev: Lietuenant Kijé Suite". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Lieutenant Kijé, Symphonic Suite, Op. 60: III. The Wedding of Kijé's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Lieutenant Kijé, Symphonic Suite, Op. 60: III. The Wedding of Kijé by Sergei Prokofiev, Neeme Järvi, Royal Scottish National Orchestra having a テンポ of 142 with a half-time of 71 テンポ and a double-time of 284 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Christmas Festival | Royal Scottish National Orchestra & Junior Chorus | A♭ Major | 1 | 4B | 135 BPM | ||
Friday Afternoons, Op. 7: Cuckoo! | Benjamin Britten, Alexander Wells, New London Children's Choir, Ronald Corp | D♭ Major | 0 | 3B | 87 BPM | ||
The Stone Flower Symphonic Suite, Op. 118, Prologue: I. The Mistress of the Copper Mountain | Sergei Prokofiev, Neeme Järvi, Royal Scottish National Orchestra | A♭ Major | 1 | 4B | 69 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
Alexander Nevsky: VII. Alexander's Entry into Pskov | Sergei Prokofiev, Irina Gelahova, Stanislavsky Chorus, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | D Major | 1 | 10B | 100 BPM | ||
Appalachian Spring: VIII. Coda. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 106 BPM | ||
Solitude (Arr. for Strings) | Duke Ellington, Neeme Järvi, Detroit Symphony Orchestra | E♭ Major | 0 | 5B | 94 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM |