Dresdner Kreuzchor, Martin Flämig's 'So sei gegrüsst viel tausendmal, Op. 79: No. 4, Frühlingsgruss' came out on July 3, 2013. With So sei gegrüsst viel tausendmal, Op. 79: No. 4, Frühlingsgruss being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Musikstadt Dresden" album is number 3 out of 34. So sei gegrüsst viel tausendmal, Op. 79: No. 4, Frühlingsgruss is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of So sei gegrüsst viel tausendmal, Op. 79: No. 4, Frühlingsgruss by Dresdner Kreuzchor, Martin Flämig to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Konzert Nach Vivaldi In A Minor, BWV 593: I. | Ton Koopman | A Minor | 2 | 8A | 101 BPM | ||
Mass in C Major, "Messe breve No. 7 aux chapelles": Kyrie | Charles Gounod, Patrick Herget, Axel Werntges, Hartmut Roth, Philipp Tetzlaff, Martin Schmeding, Jugendkantorei Hosel, Toralf Hildebrandt | D♭ Major | 2 | 3B | 97 BPM | ||
Pater noster | Jacobus Gallus, Dresdner Kreuzchor, Rudolf Mauersberger | A Major | 2 | 11B | 80 BPM | ||
A Hymn to the Virgin | Benjamin Britten, Voces8 | A Minor | 0 | 8A | 133 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: Canzona | Henry Purcell, Philip Ledger, The Philip Jones Brass Ensemble | B♭ Major | 0 | 6B | 128 BPM | ||
Ave, verum corpus, Op. 2, No. 1: Ave verum corpus, Op. 2, No. 1 | Edward Elgar, The Choir Of Trinity College, Cambridge, Richard Marlow | G Major | 0 | 9B | 131 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM |