George Crumb, Miró Quartet's 'Black Angels (13 Images from the Dark Land) Pt. 1 "Departure": No. 1, Threnody I [Night of the Electric Insects]' came out on June 1, 2003. With Black Angels (13 Images from the Dark Land) Pt. 1 "Departure": No. 1, Threnody I [Night of the Electric Insects] being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 21 in Complete Crumb Edition, Vol. 7 by George Crumb, Various Artists, James Freeman. In terms of popularity, Black Angels (13 Images from the Dark Land) Pt. 1 "Departure": No. 1, Threnody I [Night of the Electric Insects] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Black Angels (13 Images from the Dark Land) Pt. 1 "Departure": No. 1, Threnody I [Night of the Electric Insects] by George Crumb, Miró Quartet is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Root of an Unfocus | John Cage, Boris Berman | B Major | 0 | 1B | 134 BPM | ||
A Room: From She Is Asleep - From She Is Asleep | John Cage, Bruce Brubaker | D♭ Minor | 0 | 12A | 147 BPM | ||
Violin Concerto “Distant light” (1996/7): Andante I | Pēteris Vasks, Daniel Rowland, Maja Bogdanovic, Stift Festival Orchestra | E Minor | 1 | 9A | 87 BPM | ||
Preludes in Quarter-Tone System: IV | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | F♯ Major | 4 | 2B | 148 BPM | ||
Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
Metropolis: I. Auftakt: Metropolis Thema | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | E Minor | 4 | 9A | 0 BPM | ||
Allelujah from the Great Red Dragon (feat. Micha Luna) | Brian Reitzell, Micha Luna | F Major | 1 | 7B | 114 BPM | ||
Todas Las Tardes En Granada, Todas Las Tardes Se Muere Un Nino | George Crumb | F Minor | 1 | 4A | 169 BPM | ||
The Shadow of Sirius: I. The Nomad Flute | Joel Puckett, Marianne Gedigian, University of Texas Wind Ensemble, Jerry Junkin | A♭ Major | 0 | 4B | 66 BPM | ||
Song of the Angel | John Tavener, Academy of Ancient Music, Patricia Rozario, Paul Goodwin, Andrew Manze | E Major | 0 | 12B | 71 BPM |