Arcangelo Corelli, Vilmos Tátrai, Margit Bardócz, Janos Sebestyen, Hungarian Chamber Orchestra's 'Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": II. Allegro' came out on July 15, 2014. The duration of Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": II. Allegro is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 13 in Corelli: Christmas Concerto / Tartini: Cello Concerto in D Major / Vivaldi: Sinfonia for Strings by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. In terms of popularity, Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": II. Allegro is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": II. Allegro by Arcangelo Corelli, Vilmos Tátrai, Margit Bardócz, Janos Sebestyen, Hungarian Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Swan Lake, Op. 20: Pas D'action | Zsuzsa Bálint | F♯ Major | 2 | 2B | 175 BPM | ||
Concerto Grosso in F Minor, Op. 1 No. 8 "Christmas": III. Largo - Andante | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | B♭ Minor | 1 | 3A | 127 BPM | ||
Children's Galop And Entry Of The Parents | San Francisco Ballet | C Major | 2 | 8B | 107 BPM | ||
Arcangelo Corelli: Christmas Concerto in G Minor, Op. 6, No. 8: III. Adagio - Allegro - Adagio | New Trinity Baroque | D Major | 0 | 10B | 137 BPM | ||
Panis Angelicus | César Franck, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | A Major | 1 | 11B | 120 BPM | ||
Fantasia On Christmas Carols | Ralph Vaughan Williams, Hervey Alan, Choir of King's College, Cambridge, London Symphony Orchestra, Sir David Willcocks | A Major | 2 | 11B | 85 BPM | ||
The Nutcracker, Ballet Suite, Op. 71a: IV. Russian Dance (Trepak) | South German Philharmonic Orchestra | G Major | 5 | 9B | 86 BPM | ||
The Nutcracker, Op.71, TH.14 / Act 2: No. 12f Polchinelle (The Clown) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | A Major | 4 | 11B | 82 BPM | ||
Divertissement: Dance Of The Mirlitons | San Francisco Ballet | D Major | 1 | 10B | 136 BPM | ||
In the Bleak Midwinter (Arr. for Piano by Martin Stadtfeld) | Gustav Holst, Martin Stadtfeld | F Major | 0 | 7B | 131 BPM |