"Chateau Margaux: "Preludio" - Remastered" by Manuel Fernandez Caballero, José Jackson Veyán, Gran Orquesta Sinfonica, Nicasio Tejada was released on May 15, 1955. With Chateau Margaux: "Preludio" - Remastered being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists, Nicasio Tejada, Benito Laurent, Orquesta Sinfonica's "La Zarzuela: La Alegría del Batallón / Chateau Margaux" album is number 6 out of 10. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Chateau Margaux: "Preludio" - Remastered is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chateau Margaux: "Preludio" - Remastered by Manuel Fernandez Caballero, José Jackson Veyán, Gran Orquesta Sinfonica, Nicasio Tejada to be Andante (at a walking pace) because the track has a tempo of 105 テンポ, a half-time of 52テンポ, and a double-time of 210 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andrea Chénier, Act IV: Come un bel dì di maggio | Umberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F♯ Minor | 2 | 11A | 82 BPM | ||
Representacion: Hablado (¡Nom parliamo piú di qüesto!) - Live | Manuel Fernandez Caballero, Coro y Orquesta Sinfónica de Madrid, Jesús López-Cobos, Maria Rodriguez, Guillermo Orozco, Luis Alvarez | G Minor | 2 | 6A | 120 BPM | ||
La Verbena de la Paloma, Act I: La Virgen de la Paloma (Chœur) | Tomás Bretón, Antoni Ros Marbá, Coro De La Comunidad De Madrid, Miguel Groba, Orquesta Sinfónica de Madrid | D Major | 4 | 10B | 81 BPM | ||
Don Gil de Alcalá: Juntos en Este Jardín (Romanza de Don Gil) - Remastered | Manuel Penella, Marcos Redondo | F♯ Major | 2 | 2B | 69 BPM | ||
Yo Quiero A Un Hombre | Manuel Fernandez Caballero, Montserrat Caballé | A Major | 2 | 11B | 85 BPM | ||
Les Pêcheurs de perles: Seule au milieu de nous (Zurga, Leïla, Fishermen, Villagers, Nourabad) | Georges Bizet, Ernest Blanc, Janine Micheau, Jacques Mars, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'Opera Comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | A Major | 1 | 11B | 170 BPM | ||
La gran via: Vals del caballero de Gracia | Ana Maria Iriarte, Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado, Federico Chueca | C Major | 4 | 8B | 101 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Il tuo dubbio è omai certezza ... Come vinti da stanchezza" (Chorus, Normanno, Enrico, Raimondo) | Gaetano Donizetti, Gino Sarri/Tito Gobbi/Raffaele Arié/Coro del Maggio Musicale Fiorentino/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Coro del Maggio Musicale Fiorentino, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
La Verbena de la Paloma: Escena - Mazurca | Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Renato Cesari, Teresa Tourné | D Major | 3 | 10B | 82 BPM | ||
El Barber: 4 Preludio Acto II | Orfeon Donostiarra | B♭ Major | 5 | 6B | 82 BPM |