Johann Friedrich Fasch, London Baroque made "Trio Sonata in C Minor, FaWV N:c2: II. Allegro un poco" available on May 28, 2013. The duration of Trio Sonata in C Minor, FaWV N:c2: II. Allegro un poco is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Trio Sonata in C Minor, FaWV N:c2: II. Allegro un poco's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "The Trio Sonata in 18th-Century Germany". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Trio Sonata in C Minor, FaWV N:c2: II. Allegro un poco's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Trio Sonata in C Minor, FaWV N:c2: II. Allegro un poco by Johann Friedrich Fasch, London Baroque having a テンポ of 136 with a half-time of 68 テンポ and a double-time of 272 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM | ||
Pieces de clavecin en concerts: Concert No. 4 in B-Flat Major: I. La pantomime (Loure un peu vive) | Jean-Philippe Rameau, London Baroque | A Major | 2 | 11B | 70 BPM | ||
Trio Sonata No. 2 in G Minor: III. Allegro | Giovanni Bononcini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Concerto Grosso, Op. 6, No. 05 in D Major (HWV 323): Allegro | George Frideric Handel, Academy of Ancient Music, Andrew Manze | D♭ Major | 2 | 3B | 132 BPM | ||
Sinfonia da camera in G Minor, Op. 2 No. 3: IV. Allegro | Nicola Porpora, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Fantasia Suite: II. Alman | John Coprario, London Baroque | B Major | 2 | 1B | 113 BPM | ||
Trio Sonata No. 2 in G Minor: II. Lento | Giovanni Bononcini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Concerto a cinque No. 12, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B Major | 4 | 1B | 80 BPM | ||
Trio Sonata in G Minor, Op. 1, No. 1, RV 73: II. Allemanda | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | B Major | 3 | 1B | 131 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM |