Pierre Ballard, Claire Antonini's 'Robert Ballard Tierce bécarre: Alemande' came out on October 1, 2021. With Robert Ballard Tierce bécarre: Alemande being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Pierre Ballard, Claire Antonini's "Les Accords Nouveaux - Pierre Ballard 1631" album is number 2 out of 44. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Robert Ballard Tierce bécarre: Alemande is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Robert Ballard Tierce bécarre: Alemande by Pierre Ballard, Claire Antonini to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille | Marin Marais, Ensemble Amalia | E♭ Minor | 2 | 2A | 118 BPM | ||
Suite in A Major, BWV 1025: V. Allegro | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Suite in A Major: III. La pleureuse - Double | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Madonna Qual Certezza | The Royal Wind Music | F♯ Minor | 1 | 11A | 73 BPM | ||
Vater unser im Himmelreich, Variation 10 | Johann Ulrich Steigleder, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Suite in G Major: III. Courante | Robert de Visée, Yasunori Imamura | D♭ Major | 0 | 3B | 86 BPM | ||
Ré majeur: Prélude d’Emond | Jean Etienne Vaudry de Saizenay, Claire Antonini | A♭ Major | 1 | 4B | 103 BPM | ||
Minuet in C Minor, BWV Anh. 121 | Johann Sebastian Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Amantissime Jesu (Sinfonia) | Pascuale Carrozza, Cappella Mediterranea, Leonardo García-Alarcón | B♭ Minor | 0 | 3A | 110 BPM | ||
Dufaut Ton ravissant: Alemande | Pierre Ballard, Claire Antonini | A♭ Major | 2 | 4B | 85 BPM |