"III. 1526 Matrimonio de Carlos V con Isabel de Portugal: Diferencias Sobre "Belle qui tiens ma vie" (Instrumental)" by Antonio de Cabezón, Jordi Savall, Hespèrion XXI was released on January 1, 2000. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 21 in Carlos V: Mille Regretz - La Canción Del Emperador by Jordi Savall. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, III. 1526 Matrimonio de Carlos V con Isabel de Portugal: Diferencias Sobre "Belle qui tiens ma vie" (Instrumental) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of III. 1526 Matrimonio de Carlos V con Isabel de Portugal: Diferencias Sobre "Belle qui tiens ma vie" (Instrumental) by Antonio de Cabezón, Jordi Savall, Hespèrion XXI is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, RV 595: VIII. Aria "De torrente in via bibet" | Antonio Vivaldi, Jordi Savall, Anthony Roth Costanzo, Le Concert Des Nations | B♭ Minor | 0 | 3A | 92 BPM | ||
Folia: Hoy Comamos Y Bebamos, Vers. 1520 - Improvisations D'Après Le Villancico De Juan Del Enzina (Del Enzina) | Jordi Savall | G Minor | 2 | 6A | 127 BPM | ||
II. 1500 Nacimiento de Carlos V: Vive Le Roy (Instrumental) | Josquin des Prez, Jordi Savall, Hespèrion XXI | C Major | 1 | 8B | 94 BPM | ||
Ductia (CSM 123) instr. | T Rad, Jordi Savall, La Capella Reial De Catalunya, Hespèrion XXI | E Minor | 2 | 9A | 142 BPM | ||
Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | ||
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
Differencias Sobre La Gallarda Milanesa | Antonio de Cabezón, Veronique Musson-Gonneaud | F Major | 1 | 7B | 87 BPM | ||
Recercada tercera sobre tenores Italianos, IDO 27, "Passamezzo moderno" | Diego Ortiz, Joel Frederiksen | E Major | 0 | 12B | 126 BPM | ||
Concert pour quatre parties de violes, H. 545: I. Prélude | Marc-Antoine Charpentier, Jordi Savall, Le Concert Des Nations | E Major | 1 | 12B | 94 BPM | ||
Concert XLI: Le retour - Le retour | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | D♭ Major | 0 | 3B | 80 BPM |