"King Arthur, Z. 628: Cold song - Arr. for Voice & Piano" by Henry Purcell, Théophile Alexandre, Guillaume Vincent was released on September 14, 2018. The duration of King Arthur, Z. 628: Cold song - Arr. for Voice & Piano is about 3 minutes long, at 3:21. Based on our data, "King Arthur, Z. 628: Cold song - Arr. for Voice & Piano" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 21 in ADN Baroque by Théophile Alexandre, Guillaume Vincent. Going off of the ISRC code of this track, we detected that the origin of this track is from France. King Arthur, Z. 628: Cold song - Arr. for Voice & Piano is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of King Arthur, Z. 628: Cold song - Arr. for Voice & Piano by Henry Purcell, Théophile Alexandre, Guillaume Vincent is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bachianas brasileiras No. 5 for Soprano and Cellos: Aria (Cantilena) | Heitor Villa-Lobos, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | F Major | 0 | 7B | 139 BPM | ||
Saint-Saëns: Le carnaval des animaux: VII. Aquarium | Renaud Capuçon, Emmanuel Pahud, Esther Hoppe, Florent Jodelet, Frank Braley, Gautier Capuçon, Michel Dalberto | E Minor | 0 | 9A | 69 BPM | ||
The Fairy Queen, Z. 629 / Act 3: A Song In Two Parts And Chorus: "If Love's a Sweet Passion" | Henry Purcell, Jennifer Smith, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | F♯ Major | 1 | 2B | 135 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Satie / Orch. Debussy: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Orchestre Du Capitole De Toulouse, Michel Plasson | B♭ Major | 4 | 6B | 157 BPM | ||
Dreigroschenoper: Zuhälterballade - Arr. für Saxophon, Streichquartett und Klavier | Kurt Weill, Asya Fateyeva, Florian Donderer, Emma Yoon, Yuko Hara, Tanja Tetzlaff, Stepan Simonian | C Major | 1 | 8B | 77 BPM | ||
Handel: Ariodante, HWV 33: "Scherza, infida" (Ariodante) | Philippe Jaroussky | F♯ Minor | 1 | 11A | 99 BPM | ||
Por una cabeza | Carlos Gardel, Nemanja Radulović, Tijana Milošević, Double Sens | A Minor | 1 | 8A | 88 BPM | ||
Welcome Song - The Summer’s Absence Unconcerned We Bear, Z. 337: So Happily Still You Your Counsels Employ | Henry Purcell, Daniel Collins, Mark Dobell, Harry Christophers, The Sixteen | F Major | 1 | 7B | 84 BPM | ||
Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM |