"Madame Butterfly: "Sur la mer calmée"" by Orchestre de Paris, Jean-Claude Hartemann, Geori Boue was released on January 30, 2012. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Singer Portrait - Géori Boué". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. The popularity of Madame Butterfly: "Sur la mer calmée" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madame Butterfly: "Sur la mer calmée" by Orchestre de Paris, Jean-Claude Hartemann, Geori Boue having a テンポ of 171 with a half-time of 86 テンポ and a double-time of 342 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings in E, Op. 22: 2. Tempo di valse | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | F♯ Minor | 0 | 11A | 93 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | C Minor | 1 | 5A | 85 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Polka Italienne | La Sinfónica Clásica | E♭ Major | 2 | 5B | 126 BPM | ||
Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: III. Allegro con fuoco | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Minor | 4 | 8A | 128 BPM | ||
A Night On The Bare Mountain | Modest Mussorgsky, Orchestre Symphonique de Montréal, Kent Nagano | D Major | 1 | 10B | 102 BPM | ||
Liebestraum No. 3 in A-Flat Major, S. 541: Notturno III: O lieb, so lang du lieben kannst | Franz Liszt, Daniel Barenboim | A♭ Major | 0 | 4B | 139 BPM | ||
Valses nobles et sentimentales M 61b II. Assez lent | Maurice Ravel, Paavo Järvi, Orchestre de Paris | F Minor | 1 | 4A | 124 BPM |