"Der Kaiser von Atlantis, Op. 49b, Scene 4 "Die Tod-Verweigerung": Ich bin der Tod (Live at Prinzregenten Theater, Munich 10/10/2021)" by Viktor Ullmann, Tareq Nazmi, Munich Radio Orchestra, Patrick Hahn was released on April 15, 2022. The duration of Der Kaiser von Atlantis, Op. 49b, Scene 4 "Die Tod-Verweigerung": Ich bin der Tod (Live at Prinzregenten Theater, Munich 10/10/2021) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Der Kaiser von Atlantis, Op. 49b, Scene 4 "Die Tod-Verweigerung": Ich bin der Tod (Live at Prinzregenten Theater, Munich 10/10/2021)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Ullmann: Der Kaiser von Atlantis, Op. 49b "Die Tod-Verweigerung" (Live at Prinzregenten Theater, Munich 10/10/2021)". In this album, this song's track order is #26. Furthermore, we believe that the track originated from Germany. Der Kaiser von Atlantis, Op. 49b, Scene 4 "Die Tod-Verweigerung": Ich bin der Tod (Live at Prinzregenten Theater, Munich 10/10/2021) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Kaiser von Atlantis, Op. 49b, Scene 4 "Die Tod-Verweigerung": Ich bin der Tod (Live at Prinzregenten Theater, Munich 10/10/2021) by Viktor Ullmann, Tareq Nazmi, Munich Radio Orchestra, Patrick Hahn having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Summer Night - Suite from 'The Duenna', Op. 123: 2. Serenade | Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 117 BPM | ||
5 Liebeslieder, Op. 26a (arr. M-C. Liu for viola and piano): No. 2. Am Klavier | Meng-Chieh Liu, Viktor Ullmann, Teng Li | B♭ Minor | 1 | 3A | 133 BPM | ||
Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
Verschiedene Volkslieder, WoO 157: No. 8, By the Side of the Shannon | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | G Major | 2 | 9B | 103 BPM | ||
Symphony No. 2 in C minor, Op. 29: I. Andante | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | A♭ Major | 1 | 4B | 80 BPM | ||
8 Lieder, Op. 6: No. 2, Alles | Arnold Schoenberg, Claire Booth, Christopher Glynn | F♯ Minor | 0 | 11A | 85 BPM | ||
Der Kaiser von Atlantis, Op. 49b: Hallo, hallo, der oberste General | Viktor Ullmann, Pierre-Yves Pruvot, Wassyl Slipak, Orchestre Musique des Lumières, Facundo Agudin | A Major | 5 | 11B | 88 BPM | ||
Orchestral Variations - 'The Seeds Long Hidden': Variation 5 | Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins | B♭ Minor | 1 | 3A | 73 BPM | ||
Five Housman Songs Op 14, Part 3: No. 5, Because I liked you better | Lennox Berkeley, Robin Tritschler, Malcolm Martineau | E♭ Minor | 1 | 2A | 113 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM |