Carl Millöcker, Orchester der Württembergischen Staatsoper, Harry Pleva, Kurt Böhme, Orchestra of the Württemberg State Opera made "Der Bettelstudent, Act I: "Und da soll man noch galant sein"" available on September 1, 2010. With this song being about 5 minutes long, at 4:42, "Der Bettelstudent, Act I: "Und da soll man noch galant sein"" by Carl Millöcker, Orchester der Württembergischen Staatsoper, Harry Pleva, Kurt Böhme, Orchestra of the Württemberg State Opera is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 30 out of 32 in Beliebte Operettenmelodien by Various Artists. Der Bettelstudent, Act I: "Und da soll man noch galant sein" is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Der Bettelstudent, Act I: "Und da soll man noch galant sein" by Carl Millöcker, Orchester der Württembergischen Staatsoper, Harry Pleva, Kurt Böhme, Orchestra of the Württemberg State Opera is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La vestale, Act I: Scène. Grands dieux ! Soutenez ma faiblesse | Gaspare Spontini, Marina Rebeka, Aude Extrémo, Stanislas de Barbeyrac, Tassis Christoyannis, Nicolas Courjal, David Witczak, Flemish Radio Choir, Les Talens Lyriques, Christophe Rousset | B♭ Major | 3 | 6B | 78 BPM | ||
南国のバラ(J.シュトラウス2世) | Erich Binder, ウィーン交響楽団 | F Major | 1 | 7B | 96 BPM | ||
Der Bettelstudent - operetta in 3 Acts: Wir gratulieren | Carl Millöcker, Franz Fehringer, Sandor Konya, Willy Schneider, Herta Talmar, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek | A Major | 4 | 11B | 70 BPM | ||
Strohfeuer-Polka | Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra | C Major | 3 | 8B | 151 BPM | ||
Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Eh hop! Eh hop! (Jupiter/Mercure/Junon) | Jacques Offenbach, Laurent Naouri/Etienne Lescroart/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | D Minor | 2 | 7A | 72 BPM | ||
Bavarian Landler | Ion Ivanovici, Budapest Strauss Ensemble, Istvan Bogar | F Major | 3 | 7B | 150 BPM | ||
Der Bettelstudent (Abridged Operetta): Act I: Juchheissa, hurra, die Messe beginnt (Chorus) | Carl Millöcker, Hertha Töpper, Wilma Lipp, Rosl Schwaiger, Karl Terkal, Kurt Wehofschitz, Kurt Böhme, Otto Storr, Pino Demschick, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke | D Major | 4 | 10B | 80 BPM | ||
Dein ist Mein Ganzes Herz | Richard Tauber | D♭ Major | 4 | 3B | 134 BPM | ||
Maske in Blau: Ja, das Temp'rament | Fred Raymond, Marika Rökk, Werner Schmidt-Boelcke | B♭ Major | 3 | 6B | 76 BPM | ||
Misatango, Misa a Buenos Aires: XV. Dona nobis pacem | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Major | 6 | 8B | 70 BPM |