Johan Halvorsen, Heinrich Koll, Alexandra Koll's 'Passacaglia in G Minor (after G.F. Handel's キーboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille)' came out on October 1, 2004. Since Passacaglia in G Minor (after G.F. Handel's キーboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Viola (The Art Of The) by Heinrich Koll. The song's track number on the album is #8 out of 9 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Passacaglia in G Minor (after G.F. Handel's キーboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Passacaglia in G Minor (after G.F. Handel's キーboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) by Johan Halvorsen, Heinrich Koll, Alexandra Koll has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Passacaglia in G Minor (after G.F. Handel's キーboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille) being at 93 テンポ, the half-time would be 46 テンポ with a double-time of 186 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Thais: Méditation de Thais - Arr. for Violin and Piano | Jules Massenet, Pierre Amoyal, Bruno Canino | D Major | 1 | 10B | 95 BPM | ||
Sonata for Violin and Guitar in D Major, Op. 2, No. 5, MS 26: Allegro spiritoso | Niccolò Paganini, Scott St. John, Simon Wynberg | D Major | 1 | 10B | 86 BPM | ||
Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. for violin and piano) | Anonymous, Robert Schumann, Robert Koenig, Si-Qing Lu | F Major | 0 | 7B | 88 BPM | ||
Vivaldi 4 Seasons, Winter 1 - Allegro Non Molto | Manuele Cid | F Minor | 1 | 4A | 77 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM |