"Between two worlds; Judgement Day: The Sound of Breaking Glass - the Ship sails again" by Erich Wolfgang Korngold, Alexander Frey, Deutsches Symphonie-Orchester Berlin, John Mauceri was released on January 1, 1995. The duration of Between two worlds; Judgement Day: The Sound of Breaking Glass - the Ship sails again is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Between two worlds; Judgement Day: The Sound of Breaking Glass - the Ship sails again's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Erich Wolfgang Korngold, Deutsches Symphonie-Orchester Berlin, John Mauceri's "Korngold: Between Two Worlds/Symphonic Serenade/Theme &" album is number 11 out of 19. Between two worlds; Judgement Day: The Sound of Breaking Glass - the Ship sails again is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Between two worlds; Judgement Day: The Sound of Breaking Glass - the Ship sails again by Erich Wolfgang Korngold, Alexander Frey, Deutsches Symphonie-Orchester Berlin, John Mauceri to be Adagio (slowly with great expression) because the track has a tempo of 70 テンポ, a half-time of 35テンポ, and a double-time of 140 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die tote Stadt (The Dead City), Op. 12: Act II Scene 3: Mein Sehnen, mein Wahnen (Fritz, Women's Choir) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | D♭ Major | 1 | 3B | 169 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
The Birds, P. 154: 1. Prelude | Ottorino Respighi, San Francisco Symphony, Edo de Waart | A Major | 1 | 11B | 142 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
Die tote Stadt: Act II: Schäume, schäume | Erich Wolfgang Korngold, Erich Leinsdorf, Hermann Prey, Gabriele Fuchs, Patricia Clark, Willi Brokmeier | D♭ Major | 3 | 3B | 84 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Introduction | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | G Minor | 0 | 6A | 85 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
String Quartet No. 12 In F Major, Op. 96, B.179 - "American": 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Emerson String Quartet | F Major | 1 | 7B | 84 BPM | ||
String Sextet No. 1 in B-Flat Major, Op. 18: II. Andante, ma moderato | Johannes Brahms, WDR Symphony Orchestra Cologne Chamber Players | D Major | 1 | 10B | 90 BPM |