Johann Sebastian Bach, Artur Pizarro, Franz Liszt's 'Prelude And Fuge For Organ in A Minor, BWV 543: I. Prelude' came out on April 14, 1997. The duration of Prelude And Fuge For Organ in A Minor, BWV 543: I. Prelude is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Prelude And Fuge For Organ in A Minor, BWV 543: I. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Artur Pizarro, Franz Liszt's "Liszt: Bach Transcriptions" album is number 3 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Prelude And Fuge For Organ in A Minor, BWV 543: I. Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prelude And Fuge For Organ in A Minor, BWV 543: I. Prelude by Johann Sebastian Bach, Artur Pizarro, Franz Liszt to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Concerto for Four Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, Alexandre Tharaud, Les Violons du Roy, Bernard Labadie | A Minor | 2 | 8A | 113 BPM | ||
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
30 Études de mécanisme, Op. 849: No. 1 in C Major. Allegro | Carl Czerny, Nicolas Horvath | C Major | 1 | 8B | 84 BPM | ||
Violin Concerto in D Minor, BWV 1052: I. Allegro | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D Minor | 3 | 7A | 106 BPM | ||
Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM |