"Phillipe Describes Isabeau" by Andrew Powell, Philharmonia Orchestra was released on April 12, 1985. With Phillipe Describes Isabeau being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Andrew Powell & The Philharmonia Orchestra's "Ladyhawke Original Motion Picture Soundtrack" album is number 6 out of 14. Phillipe Describes Isabeau is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Phillipe Describes Isabeau by Andrew Powell, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM | ||
Angelus in Medio ignis - Voice | Éric Serra, London Session Orchestra | D Major | 1 | 10B | 137 BPM | ||
CONJUGAL VISIT (コンジュガル・ビジット) | Bill Conti | G Major | 1 | 9B | 75 BPM | ||
Julliard, Pt. 2 | Mark Mancina | E Major | 4 | 12B | 128 BPM | ||
Ebb and Flow | Suzannah Bee, Philharmonia Orchestra | A Minor | 5 | 8A | 128 BPM | ||
The Abduction And The Final Battle At The Gallows | Michael Kamen | G Major | 3 | 9B | 128 BPM | ||
Cranford: Cranford Theme | Carl Davis, Unknown Artist | F Major | 2 | 7B | 90 BPM | ||
Tear Jerking Tale | Randy Edelman | G Major | 1 | 9B | 60 BPM | ||
Precedent | Howard Shore | G Major | 1 | 9B | 78 BPM | ||
Sir Guy Of Gisborne And The Escape To Sherwood | Michael Kamen | A Minor | 2 | 8A | 63 BPM |