Erich Wolfgang Korngold made "Robin Meets Little John - Re-record" available on January 1, 1983. With Robin Meets Little John - Re-record being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "The Adventures Of Robin Hood (Original Motion Picture Soundtrack / Re-Recorded Version)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Robin Meets Little John - Re-record's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Robin Meets Little John - Re-record by Erich Wolfgang Korngold having a テンポ of 126 with a half-time of 63 テンポ and a double-time of 252 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": II. Elegy: Molto adagio (In Memoriam William Morris) | Gustav Holst, Ulster Orchestra, Joann Falletta | G Major | 1 | 9B | 133 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 15, The Knight's Gate in the Old Capital of Kiev | Modest Mussorgsky, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 2 | 5B | 85 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Arensky: Variations on a Theme of Tchaikovsky, Op.35a: Theme. Moderato | Anton Arensky, Sir John Barbirolli, London Symphony Orchestra | B♭ Major | 2 | 6B | 92 BPM | ||
Korngold: Suite, Op. 23: IV. Lied. Schlicht und innig | Erich Wolfgang Korngold, Edgar Moreau, Raphaëlle Moreau, David Moreau, Jérémie Moreau | F♯ Major | 1 | 2B | 71 BPM | ||
Die tote Stadt - Arr. Bengt Forsberg / Act 1: "Glück, das mir verblieb" (Marietta's Lied) | Erich Wolfgang Korngold, Anne Sofie von Otter, Ulf Forsberg, Nils-Erik Sparf, Kjell Lysell, Bengt Forsberg | G Major | 0 | 9B | 83 BPM | ||
Valse-Scherzo, Op. 34, TH 58 (Arr. Bezekirsky) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov | C Major | 2 | 8B | 106 BPM |