On January 1, 1989, the song "Wien bleibt Wien (Arr. Salabert)" was released by Johann Schrammel, I Salonisti. The duration of Wien bleibt Wien (Arr. Salabert) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Wien bleibt Wien (Arr. Salabert)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Orient Express". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Wien bleibt Wien (Arr. Salabert)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Wien bleibt Wien (Arr. Salabert) by Johann Schrammel, I Salonisti having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fatinitza Marsch | Johann Strauss Orchester | G Major | 4 | 9B | 123 BPM | ||
Die Csardasfurstin (The Gypsy Princess), Act II: Duet: Tanzen mochte ich | Emmerich Kálmán, Ruth-Margret Putz, Heinz Hoppe, Berlin Municipal Opera Orchestra, Hansgeorg Otto | D Major | 2 | 10B | 86 BPM | ||
New York Ouverture | Musikkapelle Stams | B♭ Major | 1 | 6B | 118 BPM | ||
Orpheus in der Unterwelt · Operette in 2 Akten (1988 Digital Remaster): Ouvertüre (Orchester) | Jacques Offenbach, Adolf Dallapozza/Gisela Litz/Grit van Jüten/Theo Lingen/Ferry Gruber /Kari Lövaas/Brigitte Lindner /Chor der Kölner Oper/Philharmonia Hungarica/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Philharmonia Hungarica | E♭ Major | 4 | 5B | 124 BPM | ||
Frau Luna: Ouvertüre | Paul Lincke, Hamburger Rundfunkorchester, Wilhelm Stephan | A Major | 4 | 11B | 75 BPM | ||
Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM | ||
Grenadiersmars | Koninklijke Militaire Kapel | C Major | 4 | 8B | 118 BPM | ||
Tarantella - From "The Godfather" | Carmine Coppola | D♭ Major | 3 | 3B | 67 BPM | ||
Mit Sang Und Klang | Musikzug Sg Ansprach/Taunus | D♭ Major | 6 | 3B | 103 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM |