| | Petite messe solennelle: I. Kyrie. Kyrie eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | C Major | 0 | 8B | 116 BPM |
| | Das Berliner Requiem: Großer Dankchoral (Sostenuto) | Kurt Weill, Philippe Herreweghe, La Chapelle Royale, Alexandre Laiter, Ensemble Musique Oblique | D Minor | 0 | 7A | 87 BPM |
| | Saint- Saëns: Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | D♭ Major | 1 | 3B | 77 BPM |
| | Youkali | Kurt Weill, Fatma Said, Quinteto Ángel, Tim Allhoff, Heinrich Kobberling | C Major | 1 | 8B | 116 BPM |
| | Les pêcheurs de perles, WD 13 / Act 1: "Je crois entendre encore" | Georges Bizet, Leopold Simoneau, Orchestre des Concerts Lamoureux, Jean Fournet | A Minor | 1 | 8A | 85 BPM |
| | Scaramouche, Op. 165: III. Brazileira | Darius Milhaud, Ludmila Peterková, Irina Kondratenko | C Major | 2 | 8B | 175 BPM |
| | Concierto de Aranjuez: II. (b) Moderato | Joaquín Rodrigo, Alison Balsom, Scott Stroman, Britten Sinfonia | F Major | 0 | 7B | 173 BPM |
| | Ebony Concerto: III. Moderato - Con moto | Igor Stravinsky, Benny Goodman | C Major | 2 | 8B | 126 BPM |
| | L’opéra de quat'sous, Act II: Duo de la jalousie | Kurt Weill, Le Balcon, Maxime Pascal, Claïna Clavaron, Marie Oppert | E Major | 3 | 12B | 115 BPM |
| | Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM |