"Nunc gaudeant materna viscera (Antiphona)" by Hildegard von Bingen, La Reverdie was released on January 1, 2003. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Von Bingen: Sponsa Regis (La victoire de la Vierge dans l'œuvre d'Hildegard) by Hildegard von Bingen, La Reverdie, I Piccoli Cantori di San Bortolo. The song's track number on the album is #6 out of 13 tracks. Based on our data, France was the country where this track was produced or recorded. The popularity of Nunc gaudeant materna viscera (Antiphona) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nunc gaudeant materna viscera (Antiphona) by Hildegard von Bingen, La Reverdie has a tempo of 172 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Nunc gaudeant materna viscera (Antiphona) being at 172 テンポ, the half-time would be 86 テンポ with a double-time of 344 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cum processit factura digiti Dei | Hildegard von Bingen, Sequentia, Barbara Thornton | C Major | 0 | 8B | 76 BPM | ||
Angelica biltà | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 81 BPM | ||
Antienne "O Sacrum Convivium" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | G Major | 1 | 9B | 173 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM | ||
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
J'ai mon cuer | Ensemble Project Ars Nova | A Minor | 0 | 8A | 0 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Deo gratias | Johannes Ockeghem, Paul Van Nevel | C Major | 1 | 8B | 60 BPM | ||
Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 96 BPM | ||
Lamento Di Tristano - La Rotta | Unicorn Ensemble | G Major | 1 | 9B | 136 BPM |