"Romeo and Juliet, Op.64 - Act 1: At The Capulets' (Preparations For the Ball)" by Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel was released on January 1, 1973. With Romeo and Juliet, Op.64 - Act 1: At The Capulets' (Preparations For the Ball) being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 39 in the song's album "Prokofiev: Romeo & Juliet". In this album, this song's track order is #7. Based on our statistics, Romeo and Juliet, Op.64 - Act 1: At The Capulets' (Preparations For the Ball)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Romeo and Juliet, Op.64 - Act 1: At The Capulets' (Preparations For the Ball) by Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel having a テンポ of 127 with a half-time of 64 テンポ and a double-time of 254 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 94 in G Major, Hob. I:94 "Surprise": II. Andante | Franz Joseph Haydn, George Szell, Cleveland Orchestra | C Major | 0 | 8B | 117 BPM | ||
Also sprach Zarathustra, Op. 30: Von den Freuden und Leidenschaften | Richard Strauss, Los Angeles Philharmonic, Zubin Mehta | A♭ Major | 1 | 4B | 91 BPM | ||
Symphony in C Minor, EG 119: II. Adagio espressivo | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | E Major | 1 | 12B | 78 BPM | ||
Schumann: Symphony No. 4 in D Minor, Op. 120: IV. Langsam - Lebhaft | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | D Major | 2 | 10B | 127 BPM | ||
Pictures at an Exhibition: III. Tuileries | Modest Mussorgsky, George Szell, Cleveland Orchestra | D♭ Minor | 0 | 12A | 116 BPM | ||
Sibelius: The Maiden in the Tower: Overture | Jean Sibelius, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 0 | 7B | 82 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35 (Arr. T. Dokshizer & P. Merkelo for Trumpet, Piano & String Orchestra): I. Allegro moderato | Dmitri Shostakovich, Jae-hyuck Cho, Paul Merkelo, Russian National Orchestra, Hans Graf | D Major | 5 | 10B | 140 BPM | ||
Giselle: Act I: Andante | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 129 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM |