Johann Sebastian Bach, Malin Hartelius, Melinda Paulsen, Tom Allen, Dietrich Henschel, KlangVerwaltung, Chorgemeinschaft Neubeuern, Enoch zu Guttenberg's 'Weihnachtsoratorium, BWV 248: III. Teil - Nr. 29: Aria Duett Sopran, Bass "Herr, dein Mitleid, dein Erbarmen"' came out on June 18, 2021. Since Weihnachtsoratorium, BWV 248: III. Teil - Nr. 29: Aria Duett Sopran, Bass "Herr, dein Mitleid, dein Erbarmen" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 29 out of 64 in Bach: Weihnachtsoratorium by Johann Sebastian Bach, Enoch zu Guttenberg, KlangVerwaltung, Chorgemeinschaft Neubeuern, Malin Hartelius, Melinda Paulsen, Tom Allen, Dietrich Henschel. Based on our statistics, Weihnachtsoratorium, BWV 248: III. Teil - Nr. 29: Aria Duett Sopran, Bass "Herr, dein Mitleid, dein Erbarmen"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Weihnachtsoratorium, BWV 248: III. Teil - Nr. 29: Aria Duett Sopran, Bass "Herr, dein Mitleid, dein Erbarmen" by Johann Sebastian Bach, Malin Hartelius, Melinda Paulsen, Tom Allen, Dietrich Henschel, KlangVerwaltung, Chorgemeinschaft Neubeuern, Enoch zu Guttenberg is Allegro (fast, quick, and bright), since this song has a tempo of 121 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Pieter Schoeman, Vesselin Gellev, David Parry, London Philharmonic Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Keyboard Sonata in B Minor, Wq. 55/3, H. 245: Cantabile | Carl Philipp Emanuel Bach, Christopher Hinterhuber | D♭ Major | 0 | 3B | 53 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007 (arr. for double bass): I. Prelude | Anonymous , Johann Sebastian Bach, Daxun Zhang | B Minor | 1 | 10A | 135 BPM | ||
Concerto for 2 Mandolins, Strings and Continuo in G Major, RV. 532: I. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | A♭ Minor | 3 | 1A | 80 BPM | ||
Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande | Johann Sebastian Bach, Yo-Yo Ma | C Minor | 1 | 5A | 169 BPM | ||
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM |