"Parsifal, WWV 111 / Act III: Nur eine Waffe taugt" by Richard Wagner, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1981. With this song being about 5 minutes long, at 4:45, "Parsifal, WWV 111 / Act III: Nur eine Waffe taugt" by Richard Wagner, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Parsifal by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan. The song's track number on the album is #10 out of 38 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Parsifal, WWV 111 / Act III: Nur eine Waffe taugt's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Parsifal, WWV 111 / Act III: Nur eine Waffe taugt by Richard Wagner, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan has a tempo of 138 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Parsifal, WWV 111 / Act III: Nur eine Waffe taugt being at 138 テンポ, the half-time would be 69 テンポ with a double-time of 276 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No.2: Intermezzo | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 88 BPM | ||
Verdi: Messa da Requiem: II. Sequence, 8. Ingemisco (Tenor) | Giuseppe Verdi, Roberto Alagna, Claudio Abbado, Berliner Philharmoniker | C Minor | 1 | 5A | 172 BPM | ||
Carmen / Act 3: Je suis Escamillo, Toréro de Grenade! | Georges Bizet, José Carreras, José van Dam, Berliner Philharmoniker, Herbert von Karajan | F Major | 3 | 7B | 130 BPM | ||
Tristan und Isolde, WWV 90 / Act 1: "Tristan! - Isolde! Treuloser Holder!" | Richard Wagner, Birgit Nilsson, Christa Ludwig, Wolfgang Windgassen, Eberhard Waechter, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl Böhm | C Major | 5 | 8B | 94 BPM | ||
Fountains Of Rome, P. 106: 3. The Trevi Fountain At Midday | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | A Major | 5 | 11B | 105 BPM | ||
Symphony No. 8, Zweiter Teil: VII. Ewiger Wonnebrand | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, David Wilson-Johnson | A♭ Major | 2 | 4B | 74 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Uns bleibt ein Erdenrest" | Gustav Mahler, Yvonne Minton, René Kollo, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 2 | 5B | 128 BPM | ||
La Bohème / Act 2: "Quando m'en vo'" (Musetta's Waltz) | Giacomo Puccini, Elizabeth Harwood, Michel Sénéchal, Mirella Freni, Luciano Pavarotti, Nicolai Ghiaurov, Rolando Panerai, Gianni Maffeo, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 71 BPM | ||
Mozart: Le nozze di Figaro, Act 2: "Porgi amor qualche ristoro" (La Contessa) | Wolfgang Amadeus Mozart, Daniel Barenboim, Berliner Philharmoniker, Lella Cuberli | E♭ Major | 1 | 5B | 178 BPM | ||
Les nuits d'été, Op. 7: 2. Le spectre de la rose | Hector Berlioz, Anne Sofie von Otter, Berliner Philharmoniker, James Levine | B Major | 1 | 1B | 73 BPM |