Wolfgang Bankl, Ingrid Hofer, Brigitta Karwautz, Michael Gailit, Chor, Solisten & Orchester von St. Augustin, Manfred Equiluz made "Spatzenmesse in C-Dur, KV. 220 'Missa - Kyrie'" available on August 7, 2006. With Spatzenmesse in C-Dur, KV. 220 'Missa - Kyrie' being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Spatzenmesse, Orgelsolomesse, Loretomesse". In this album, this song's track order is #1. Spatzenmesse in C-Dur, KV. 220 'Missa - Kyrie' is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Spatzenmesse in C-Dur, KV. 220 'Missa - Kyrie' by Wolfgang Bankl, Ingrid Hofer, Brigitta Karwautz, Michael Gailit, Chor, Solisten & Orchester von St. Augustin, Manfred Equiluz having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 2 in G Major, D. 167: V. Benedictus | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
Missa Solemnis: XIII. Sanctus | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 132 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Sequentia: Dies irae | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 129 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Martin Pearlman, Boston Baroque | G Major | 1 | 9B | 81 BPM | ||
Singet dem Herrn ein neues Lied, BWV 225: I. "Singet dem Herrn ein neues Lied" | Johann Sebastian Bach, Kammerchor Stuttgart, Frieder Bernius | A Major | 3 | 11B | 104 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 6, "Ein kleiner, hübscher Vogel nahm den Flug" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | A Major | 1 | 11B | 81 BPM | ||
L'Allegro, il Penseroso ed il Moderato, HWV 55, Part I: Chorus. Join with thee calm peace, and quiet | George Frideric Handel, Les Arts Florissants, William Christie | E Minor | 1 | 9A | 86 BPM | ||
Bleib bei uns, denn es will Abend werden, BWV 6: (Chorale): Bleib bei uns, denn es will Abend werden [Chorus] | Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | D Major | 2 | 10B | 95 BPM | ||
Missa in Angustiis "Lord Nelson Mass": II. Gloria | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas | F Major | 2 | 7B | 78 BPM | ||
Strike the viol | Henry Purcell, Carlos Mena, Philippe Pierlot, Ricercar Consort | G Major | 1 | 9B | 172 BPM |