Puccini: Madama Butterfly, Act 1: "Vieni, amor mio!" (Butterfly, Pinkerton, Goro)
- テンポ
- 69
- キー
- E Minor
- キャメロットミュージックキー
- 9A
Puccini: Madama Butterfly, Act 1: "Vieni, amor mio!" (Butterfly, Pinkerton, Goro) - Giacomo Puccini, Maria Callas, Herbert von Karajan, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani 情報
- 音響性
- 98%
- ダンサビリティ
- 28%
- エネルギー
- 7%
- 手段性
- 1%
- 活気
- 22%
- ラウドネス
- 67%
- 話し言葉
- 4%
- 価数
- 10%
- 人気
- 9%
- ラウドネス
- -19.56 dB
まとめ
"Puccini: Madama Butterfly, Act 1: "Vieni, amor mio!" (Butterfly, Pinkerton, Goro)" by Giacomo Puccini, Maria Callas, Herbert von Karajan, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani was released on 1955. The duration of Puccini: Madama Butterfly, Act 1: "Vieni, amor mio!" (Butterfly, Pinkerton, Goro) is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Puccini: Madama Butterfly, Act 1: "Vieni, amor mio!" (Butterfly, Pinkerton, Goro)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Puccini: Madama Butterfly (1955 - Karajan) - Callas Remastered". In this album, this song's track order is #8. Puccini: Madama Butterfly, Act 1: "Vieni, amor mio!" (Butterfly, Pinkerton, Goro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Puccini: Madama Butterfly, Act 1: "Vieni, amor mio!" (Butterfly, Pinkerton, Goro) テンポ
With Puccini: Madama Butterfly, Act 1: "Vieni, amor mio!" (Butterfly, Pinkerton, Goro) by Giacomo Puccini, Maria Callas, Herbert von Karajan, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani having a テンポ of 69 with a half-time of 34 テンポ and a double-time of 138 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Puccini: Madama Butterfly, Act 1: "Vieni, amor mio!" (Butterfly, Pinkerton, Goro) キー
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
おすすめの曲
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Al Quatiere latin ci attende Momus (Schaunard/Marcello/Rodolfo/Colline) - 1997 Remastered Version | Giacomo Puccini, Manuel Spatafora, Rolando Panerai, Giuseppe Di Stefano, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | B Minor | 1 | 10A | 66 BPM | |
 | Il Barbiere di Siviglia (1996 Digital Remaster): Ah, qual colpo inaspettato! (Figaro/Conte/Rosina) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F Major | 2 | 7B | 134 BPM | |
 | Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | |
 | Mozart: Don Giovanni, K. 527: "Or sai chi l'onore" (Donna Anna) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A Major | 2 | 11B | 76 BPM | |
 | Pagliacci / Act 1: "Qual fiamma aveva nel guardo!" | Ruggero Leoncavallo, Mirella Freni, National Philharmonic Orchestra, Giuseppe Patanè | D Major | 1 | 10B | 172 BPM | |
 | Die Walküre, WWV 86B / Act I: "Schläfst du, Gast?" | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | F Major | 4 | 7B | 143 BPM | |
 | Carmen / Act 2: Choeur et Ensemble: "Vivat! vivat le Toréro!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, Michel Marinpouille, Alexander Malta, Jean-Noel Sissia, Claudine Coster, David Clair, Isabelle Karajan, Robert Manuel, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | C Major | 3 | 8B | 90 BPM | |
 | Medea (Medee), Act I: Recitative: Taci, Giason - Dei tuoi figli la madre (Sung in Italian) | Luigi Cherubini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Leonard Bernstein | F Major | 2 | 7B | 82 BPM | |
 | Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | |
 | Bizet: Carmen, WD 31, Act 4 Scene 2: No. 27, Duo, "C'est toi! C'est moi!" - No. 28, Choeur final, "Viva viva! La course est belle!" (Carmen, Don José, Chorus) | Georges Bizet, Maria Callas, Nicolai Gedda, Choeurs Rene Duclos, Choeurs D'Enfants Jean Pesneaud, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D♭ Major | 2 | 3B | 119 BPM |
- ISRC
- This song does not have an ISRC.
- レコードレーベル
- L-M Records/RCA Records