"O del mio amato ben (version for voice and piano): O del mio amata ben" by Arleen Auger was released on January 1, 2000. With this song being about 5 minutes long, at 5:10, "O del mio amato ben (version for voice and piano): O del mio amata ben" by Arleen Auger is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 22 out of 38 in Auger, Arleen: Arias by Arleen Auger. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. O del mio amato ben (version for voice and piano): O del mio amata ben is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O del mio amato ben (version for voice and piano): O del mio amata ben by Arleen Auger is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Gloria: Domine Deus - Live | Wolfgang Amadeus Mozart, Arleen Auger, Frederica von Stade, Bavarian Radio Symphony Orchestra, Leonard Bernstein | G Minor | 1 | 6A | 113 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM | ||
Giulio Cesare in Egitto, HWV 17 / Atto terzo: No.39 Duetto "Caro, più amabile beltà" - Live | George Frideric Handel, Magdalena Kozená, Marijana Mijanovic, Les Musiciens du Louvre, Marc Minkowski | F♯ Major | 1 | 2B | 120 BPM | ||
Paulus: I. Teil: Nr. 1 Chor "Herr, der du bist der Gott" | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | D♭ Major | 3 | 3B | 112 BPM | ||
Die Schöpfung, Hob. XXI:2, Erster Teil: I. Einleitung "Die Vorstellung des Chaos" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | C Minor | 1 | 5A | 80 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina | Carl Orff, Riccardo Muti, Arleen Auger, Philharmonia Orchestra | D Minor | 1 | 7A | 133 BPM | ||
Agnus Dei-adagio | Matthews, Arnold, American Bach Soloists, Munoz, Butterfield, Jeffrey Thomas | B♭ Major | 1 | 6B | 138 BPM | ||
Magnificat, RV 610: 2. Et Exultavit spiritus meus | Antonio Vivaldi, Kaia Urb, Anna Zander, Mati Turi, Tallinn Chamber Orchestra, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
German Requiem, Op. 45: Denn wir haben hie keine bleibende Statt | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM |