"String Quintet in B Flat Major, K.174: 2. Adagio" by Wolfgang Amadeus Mozart, Arthur Grumiaux, Arpad Gérecz, Georges Janzer, Max Lesueur, Eva Czako was released on January 1, 1974. String Quintet in B Flat Major, K.174: 2. Adagio is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Grumiaux Trio, Arpad Gérecz, Max Lesueur's "Mozart: The String Quintets" album is number 2 out of 30. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, String Quintet in B Flat Major, K.174: 2. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quintet in B Flat Major, K.174: 2. Adagio by Wolfgang Amadeus Mozart, Arthur Grumiaux, Arpad Gérecz, Georges Janzer, Max Lesueur, Eva Czako to be Allegro (fast, quick, and bright) because the track has a tempo of 140 テンポ, a half-time of 70テンポ, and a double-time of 280 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K. 492 / Act 3: "Sull’aria ... Che soave zeffiretto" | Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | B♭ Major | 1 | 6B | 80 BPM | ||
Dvorák: String Quartet No. 12 in F Major, Op. 96, B. 179, "American": I. Allegro ma non troppo | Antonín Dvořák, Alban Berg Quartett | C Major | 1 | 8B | 108 BPM | ||
Debussy: Piano Trio in G Major, L. 5: I. Andantino con moto allegro | Claude Debussy, Bertrand Chamayou | C Major | 1 | 8B | 80 BPM | ||
Concerto for Harpsichord, Strings, and Continuo No. 5 in F Minor, BWV 1056 - Arr. Hogwood for Flute & Strings: 2. Largo | Johann Sebastian Bach, William Bennett, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 84 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Hariolf Schlichtig, Munich Chamber Orchestra | D Major | 1 | 10B | 128 BPM | ||
String Quartet No.6 in B flat, KV.159 II.Allegro | Gunther Hasselmann | B♭ Major | 1 | 6B | 85 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Mozart: Horn Concerto No. 3 in E-Flat Major, K. 447: II. Romance. Larghetto | Wolfgang Amadeus Mozart, Claire Briggs, Royal Liverpool Philharmonic Orchestra, Malcolm Stewart, Stephen Kovacevich | A♭ Major | 0 | 4B | 77 BPM | ||
String Quartet No. 4 in C Major, D. 46: II. Andante con moto | Franz Schubert, Melos Quartet | D Minor | 1 | 7A | 137 BPM |