"Escatologia. Antifona D'Ingresso: Dignus Est Agnus" by Canonici Regolari Si Sant'Antimo was released on 1995. The duration of Escatologia. Antifona D'Ingresso: Dignus Est Agnus is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Escatologia. Antifona D'Ingresso: Dignus Est Agnus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Canonici Regolari Si Sant'Antimo's "La Pietra Che Canta: Canti Gregoriani" album is number 24 out of 25. Escatologia. Antifona D'Ingresso: Dignus Est Agnus is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Escatologia. Antifona D'Ingresso: Dignus Est Agnus by Canonici Regolari Si Sant'Antimo to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Brevis: Kyrie (feat. Giovanni Pierluigi da Palestrina) | The Schola Cantorum of St. John XXIII Parish, Giovanni Pierluigi da Palestrina | E Major | 1 | 12B | 90 BPM | ||
Alle Psallite | Schola Gregoriana Del Coro F. Paer | G Minor | 2 | 6A | 104 BPM | ||
Pater Noster | Cantores in Ecclesia | B Minor | 1 | 10A | 80 BPM | ||
Laudes de sainte Ursule: XXIII. Kyrie "Pater noster, Oratio" | Hildegard von Bingen, Ensemble Organum, Marcel Pérès | B♭ Minor | 0 | 3A | 72 BPM | ||
Pro Offertorium: Ubi Caritas | Cantarte Regensburg | G Major | 1 | 9B | 136 BPM | ||
Ave Maria | Lucien Deiss, CSSp | G Minor | 0 | 6A | 66 BPM | ||
Office of Readings: V. Psalm 23 | The Benedictine Monks of Worth Abbey | E♭ Major | 0 | 5B | 79 BPM | ||
Sicut Cervus (Chant) | The Schola Cantorum of St. John XXIII Parish | D Major | 0 | 10B | 63 BPM | ||
Hymnus, Jesu redemptor omnium | Choir of Beirut | F♯ Major | 1 | 2B | 60 BPM | ||
Cantus Officiorum: Antiphona: In exitu Israel | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | B♭ Major | 1 | 6B | 177 BPM |