"Puccini: Tosca, Act 1: "Tutto è chiaro ... Tosca? Che non mi veda ... Mario! Mario!" (Tosca, Scarpia, Sacristan)" by Giacomo Puccini, Tito Gobbi, Melchiorre Luise, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata had its release date on 1953. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 29 in the song's album "Puccini: Tosca (1953 - de Sabata) - Callas Remastered". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Puccini: Tosca, Act 1: "Tutto è chiaro ... Tosca? Che non mi veda ... Mario! Mario!" (Tosca, Scarpia, Sacristan) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Tosca, Act 1: "Tutto è chiaro ... Tosca? Che non mi veda ... Mario! Mario!" (Tosca, Scarpia, Sacristan) by Giacomo Puccini, Tito Gobbi, Melchiorre Luise, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Turandot, Act 1: "Popolo di Pekino!" (Mandarin, Crowd, Liù) | Giacomo Puccini, Elisabeth Schwarzkopf, Coro Del Teatro Alla Scala Di Milano, Giulio Mauri, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | ||
Madama Butterfly : Addio, Fiorito Asil | Slovak Radio Symphony Orchestra, Peter Dvorsky, Giuseppe Giacosa, Giacomo Puccini, Luigi Illica | D♭ Major | 3 | 3B | 82 BPM | ||
Madama Butterfly / Act I: ... E soffitto e pareti | Giacomo Puccini, José Carreras, Anthony Laciura, Philharmonia Orchestra, Giuseppe Sinopoli | B Major | 1 | 1B | 135 BPM | ||
La forza del destino, Act I: Me pellegrina ed orfana (Donna Leonora) | Giuseppe Verdi, Mirella Freni, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | G Major | 1 | 9B | 78 BPM | ||
La Boheme, zweiter Akt: Quando Men vo | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Madame Butterfly : Act I - "Quale Smania Vi Prende!" (Pinkerton, Sharpless, Chorus, Goro) | Rome Opera Chorus and Orchestra, Victoria de los Ángeles, Giuseppe Di Stefano, Tito Gobbi | B♭ Major | 3 | 6B | 126 BPM | ||
La Bohème, Act 3: In un coupé? | Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Vito Mattioli, Luciano Pavarotti | G Major | 2 | 9B | 79 BPM | ||
Il Barbiere di Siviglia: La calunnia è un venticello | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | ||
Il Barbiere di Siviglia: Largo al factotum | Gioachino Rossini, Riccardo Chailly, Leo Nucci, Orchestra Del Teatro Alla Scala, Milano | C Major | 3 | 8B | 71 BPM | ||
La forza del destino, Act II, Scene I: Viva la buona compagnia! | Giuseppe Verdi, Anna Maria Chiuri, Tiziano Tassi, Cristiano Olivieri, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | D Major | 2 | 10B | 117 BPM |