Igor Stravinsky, Leonard Bernstein, New York Philharmonic made "Pétrouchka - Burlesque in four scenes for Orchestra (1947 version): Scene IV: Danse des nounous" available on 1947. The duration of Pétrouchka - Burlesque in four scenes for Orchestra (1947 version): Scene IV: Danse des nounous is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Pétrouchka - Burlesque in four scenes for Orchestra (1947 version): Scene IV: Danse des nounous's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 102 in Bernstein Conducts Stravinsky by Igor Stravinsky, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Pétrouchka - Burlesque in four scenes for Orchestra (1947 version): Scene IV: Danse des nounous is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Pétrouchka - Burlesque in four scenes for Orchestra (1947 version): Scene IV: Danse des nounous by Igor Stravinsky, Leonard Bernstein, New York Philharmonic is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: V. Quid Sum Miser | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Christine Brewer, London Symphony Orchestra, Karen Cargill | C Minor | 0 | 5A | 82 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): V. Intermezzo | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 0 | 4B | 65 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 95 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IV. Bydlo | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 90 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro | Johannes Brahms, Wiener Philharmoniker, Carlos Kleiber | F♯ Major | 7 | 2B | 129 BPM |