"Orfeo ed Euridice / Act 1: Coro: "Ah, se intorno a quest'urna funesta"" by Christoph Willibald Gluck, Marilyn Horne, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti was released on January 1, 1970. Orfeo ed Euridice / Act 1: Coro: "Ah, se intorno a quest'urna funesta" appears to be safe for all ages as it is not explicit. The track order of this song in Christoph Willibald Gluck, Marilyn Horne, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti's "Gluck: Orfeo ed Euridice" album is number 2 out of 25. The popularity of Orfeo ed Euridice / Act 1: Coro: "Ah, se intorno a quest'urna funesta" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice / Act 1: Coro: "Ah, se intorno a quest'urna funesta" by Christoph Willibald Gluck, Marilyn Horne, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti to be Vivace (lively and fast) because the track has a tempo of 171 テンポ, a half-time of 86テンポ, and a double-time of 342 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Siete Canciones Populares Españolas: VI. Nana - for alto and piano | Manuel de Falla, Tabea Zimmermann, Javier Perianes | C Major | 0 | 8B | 141 BPM | ||
Kitsch-Musik: III. Allegretto | Valentin Silvestrov, Elisaveta Blumina | E♭ Major | 0 | 5B | 65 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Orfeo ed Euridice, Wq. 30 / Acte I: Air: Si les doux accords de ta lyre - Live | Christoph Willibald Gluck, Marion Harousseau, Richard Croft, Les Musiciens du Louvre, Marc Minkowski | F♯ Major | 2 | 2B | 80 BPM | ||
Drei Intermezzi, Op. 117: I. Andante moderato | Johannes Brahms, Arcadi Volodos | E♭ Major | 0 | 5B | 75 BPM | ||
Aria de la Pastorale en ut mineur BWV 590 | Johann Sebastian Bach, Alexandre Tharaud | F Minor | 1 | 4A | 123 BPM | ||
Orfeo ed Euridice, Wq. 30 / Acte III: Récitative: Viens, viens, Euridice - Live | Christoph Willibald Gluck, Richard Croft, Mireille Delunsch, Les Musiciens du Louvre, Marc Minkowski | A♭ Minor | 1 | 1A | 78 BPM |